Archive for the ‘music business’ Category

MusicMetric

Wednesday, December 2nd, 2009

MusicMetric is an interesting new tool that (supposedly) allows bands to track real-time discussions about them around the web. Such a service is valuable data for a band, as it can be used to decide where to tour and what types of merchandising to sell. MusicMetric is yet another service that is quickly leveling the playing field between good independent bands and the major record labels.

Techcrunch has a good article here: http://eu.techcrunch.com/2009/10/20/musicmetric-launches-real-time-band-promo-tools-250-free-trials-for-readers/

The End of Free Music Streaming?

Wednesday, November 18th, 2009

Today, Techcrunch reported that Myspace Music is close to acquiring Imeem, the 6-year old streaming service that has been clobbered by financial strain. Earlier this year, Imeem recapitalized the company to survive, raising 6 million dollars in fresh capital and renegotiating deals with the record labels. Evidently, it wasn’t enough.

Now, MySpace will likely buy up the company for a pittance, and absorb the management team and general technology. Chances are that Imeem’s end will also spell the end of free music streaming, another step towards what I see as the ultimate win-win: a music streaming model supported in part by audio ads and in part by paid subscriptions.

With Spotify’s launch in the US delayed indefinitely, this could be an interesting opportunity for MySpace Music to seize market share. They already own Ilike, and with Imeem added to that, could look to become a major player quite quickly. Interesting times ahead.

The Music Streaming Wars

Wednesday, October 28th, 2009

Streaming music has been the focal point for all too many startups in the last several years. Companies like Pandora, Imeem, Lala, and now Spotify have invested tens of millions of dollars, only finding that it is really a hard nut to crack. After all, how exactly are you going to make money? The struggles of Rhapsody have shown that not many people are willing to pay for a streaming service, and audio ads haven’t really taken off in the way that people thought they would.

In recent months however, things have started to pick up. First off, Pandora raised an additional $35 Million to accelerate growth. Then, Swedish upstart Spotify announced it was bringing its slick new application to the US sometime in the next few months.

Now, we hear that Google is launching its own music streaming platform. Exactly how this will sync up with cellphones and mobile devices is unclear, but having the trusted Google brand name (and wallet) behind a streaming service could really push this market to the next level.

If even one of these companies manages to reach profitability and shows some ability to scale, it could usher in a new golden era for the music business. Exciting times ahead!

Amie Street Partners with Sony

Wednesday, October 14th, 2009

Variable pricing has just started to break through in the music business. The basic idea is that consumer demand, not labels, should dictate prices. Amie Street has built a rapidly growing business around this concept, and they recently took an important next step by partnering with Sony.

Under the partnership, Sony will offer its entire catalog to be purchased on Amie Street. There will be three price tiers: $1.29, $0.99, and $0.69. This is very similar to the new itunes pricing structure.

Overall, this is a good step for a major label to take. It is important to understand that music prices need to adapt to consumer demand. Lets see how this impacts the industry moving forward.

Dora – a New Way to Share Music

Wednesday, September 30th, 2009

Techcrunch has a great article about Dora, a new service that allows you to easily tweet about songs you are listening to on music discovery site Pandora.

While its good, I think there are some better ways out there to crowdsource music. We the Hunted is one of them. Nevertheless, the big question with services like Dora and We the Hunted is how they plan to make money. In an economy where advertising sales are down, these services must turn to another business model to monetize their growing popularity.

Can IPhone Music Sales Save Pandora?

Wednesday, August 26th, 2009

Can IPhone music sales save Pandora?

I don’t think so. Techcrunch has a recent article about Pandora’s IPhone app rapidly increasing total song downloads. Supposedly, Pandora is selling around 1 million downloads per month. But here’s the problem: Pandora only gets 5% of the total sales revenue (basically just $0.05 per song). So that’s $50,000 per month, or $600,000 per year. This is clearly not enough to sustain a business like Pandora over the long run, even if these numbers do grow.

A better solution is to simply charge for the IPhone app. Sell it for five or ten dollars, and get some money upfront. Many other music streaming sites are suffering. If Pandora starts running out of cash as well, I wouldn’t be surprised if they gave this model a try.

Pandora also recently raised $35 MM to help tide them through tough times. They are definitely positioned for growth now.

MySpace Acquisition of Ilike

Tuesday, August 18th, 2009

I’ve been MIA for around 2 months working on other projects, but the Musimuse blog is now back! I’ll be updating about once a week, so please touch base occasionally to see what’s up in the wonderful world of music.

Techcrunch recently reported that MySpace acquired Ilike, the music streaming service. I think there are a few very interesting things to note here:

1) Ilike is immensely popular, yet the acquisition price was reportedly only $20 million or so. Considering that Venture Capitalists put in $16.5 million, this is a really crappy return. So why did they sell….?

2) Why did they sell to Myspace? Facebook is obviously a natural option, given that the platform runs on facebook. I don’t really understand why facebook would continue to support a popular service now owned by one of its biggest competitors.

Something very unusual is going on here. Last.fm sold a few years back for $280 million. Now, I understand these are bad economic times, but this still makes very little sense to me on a number of levels. Would love to hear thoughts.

A Database of Every Concert Ever

Tuesday, June 16th, 2009

Techcrunch has a great article about Songkick, an online service focused on concert recommendations. Now SongKick is evidently embarking on an ambitious project to catalog every concert ever performed.

Its actually pretty cool. The site already has more than 1 million concerts. If you have been to a concert, you can log in and say “I’ve been there” which allows your friends to see which shows you’ve been to. It also recommends other concerts you might enjoy based on previous attendances.

I think what could really take this to the next level is some integration with large social networks such as Myspace, Facebook, and Twitter. Partnerships with Imeem, Ilike, Lala, and Pandora could be beneficial as well. They should also consider opportunities with newer services like Mobile Roadie, which I covered earlier.

Ilike Adds Exciting New Features

Sunday, June 7th, 2009

I-like is one of the most popular music applications on facebook, and has recently release some great new features to help artists develop their fanbase and drive user engagement.

The new platform allows artists to interface with other content and information sites such as youtube, twitter, and facebook much more easily than before. But what is most exciting is I-like’s iphone app development program. For a $99 fee, artists can have a personalized iphone app with their songs and other digital content. They can choose to give the app for free or sell it and split the revenues with I-like. Mobile Roadie, a company I covered a while back, has released a similar product, but i-like takes the concept mainstream.

Exciting stuff!

Pandora One

Wednesday, June 3rd, 2009

Techcrunch has a great article on Pandora One, the new “freemium” service released by music streaming service Pandora. The “freemium” model basically creates two versions: a free version for those who don’t wish to pay, and a premium version with some unique valuable features to generate additional revenue. In these difficult economic times, its tough to keep all things free, so the “free-mium” model is gaining increasing traction.

Pandora One is the premium version of Pandora. Unlike other premium versions of music services, I think this one has really potential to catch on. For $36 a year (a very reasonable price point), users get:

- Unlimited Music Streaming, with unlimited channels, completely ad-free
- An easy-to-use Pandora desktop application
- The ability to let the server run for extended periods of time (Pandora normally tunes out after 1 hour, Pandora One goes for 5 hours). This is very valuable for hosting parties – you can just let the music keep on running, as opposed to having to refresh each hour.
- High quality streaming (192 Bps), hands down the best on the web. This is great for the audiophiles who actually care about sound quality.

Overall, I think this service has some real unique offerings. This is an important inflection point for Pandora, and for the music streaming business as a whole. I’m excited to see how this turns out.